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INTERFERENZE - V 1.1 V 1.2

Pirames International - 2010
Electro Rock
1 to 10: A good start (7)
Article by: Martina d'Errico


debut album for italians "Interference", whose music, electro rock a pretty cool, referring to bands like Depeche Mode and Creeper Lagoon.
In common with them, in addition to the general style of the songs and suggested, there are also texts in Italian, which is quite rare in the musical "alternative" which generally prefer English, a language more adapted to singing. The result, however, is very good and the band manages to engage the listener immediately, thanks to songs like "Resurrection," "Indelible" and "Indivisible". We note, however, a certain repetitiveness, especially in the structure of the songs that follow almost all an established model, but it is still a beginning and we can hope that the interference with time and experience, developed a composition more varied and articulated. In addition to the eleven songs are the disc with a second disc of six tracks (called V 1.2), namely remix singing in English, and therefore more accessible to a foreign audience. However, the total of eighteen songs 's a bit heavy to hear all at once, and then recommend it to those who are curious to hear in two stages to avoid "a good thing too."

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WOODLAND - Dreamality


CCP Records - 2009
Folk Metal (Progressive dominates the color)
1 to 10: original approach, it should be refined to better hitting (6)
article: Simone "M1" Landi

these are from Woodland and Germany compete in a square rather plain folk metal progressive elaboration and which of the many ideas its focal point. Forget then the scores of extra catchy or troll metal band Korpiklaani Finntroll because with "Dreamality" we are on very different coordinates.

The music is dense and makes use of three different types of vocals: male growls, clean male and female clean, used in different situations. The rhythmic variations or themes are present almost everywhere, as well as choirs or vocal duets (which reminded me of something the Beholder), making the songs but not enough processed directly, as the structures are never too convoluted.
Among the different influences we have re-proposed the acceleration of die power of "Nachtgesänge, aggression and typical Swedish melodic death of "Warriors", not to mention the desire to epic choruses viking / epic. The logical consequence of this stylistic variety is the mood of the piece that goes from the melancholy of "Abendsonne" until the aggression of the opener through intermediate shades.
inaccuracies sprouting here and there holding back the hard work as the battery chaotic when it comes to raising the engine speed, or choices that softened voice too often the atmosphere created by the female vocals. The biggest limitation of "Dreamality" however is the fact that it has no single hit song, which remains imprinted and push to be replayed.
Ultimately then approach "developed" of Woodland is to be welcomed as something positive, to the desire not to stagnate in rigid stylistic boundaries but work at the level of songwriting is further refined to be able to emerge from anonymity. In this regard, a future second album will tell us more.

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TRIPTYKON – Eparistera Daimones

Century Media - 2010
Avantgarde Extreme: Genius
1 to 10: (10)
article: Michele Marinel

You have to be careful with Thomas Gabriel Fischer, the Swiss artist has used to great leaps forward as he did at the time with her (albeit crude) or by Hellhammer first great Celtic Frost, as a tumbling sound like the latest incarnation of the first album of his best-known training, not indifferent to blunders like the one in the name Apollyon Sun, and great resurrections as happened with the comeback of Frost a few years ago. Now let's all

, who did not think that our favorite had disgraced again leaving the CF and have them back again after a wreck nell'blio controcazzi back with the splendid "Monotheist". Had come to doubt myself and I think of you.
When he announced a comeback with a new band was so much hope, concern also. Now that we are in the hands of its first cry new Triptykon we can breathe a sigh of relief as this record is the bomb!
Needless to stay here to explain the work piece by piece, it would be demeaning for a work like that. Suffice it to say that this musical project is really a continuation of the tradition celticfrostiana better and something more, a revival of all that Fisher was in music, by Hellhammer forward driblando the shit done in the past and bringing along his best heritage but at the same time projecting forward.
undefined stylistic level "Eparistera daimones" contains in itself all that is extreme metal from its beginnings to the present, in its most authentic. It 's a job Gothic in the sense of dark, but also for what we might call a kind of spiritual elevation reverse a sinking deeper into the labyrinth of malaise and anxiety. And 'black for his being a black monolith that rises menacingly on the listener, a mass from the surface rough that swallows all light and hope. E 'death for his strength, for its impact, the ability to overwhelm when accelerating. E 'doom for his mammoth sound and his elephantine gait and mournful at times when it slows down. It 's all this and none of it because in reality will know little or nothing about the black of death or gothic or doom for the way you are used to understand, yet we are, why it was actually this man to come up with almost everything and upset the fees imposed by him, forging what was probably the first ever avant-garde group the history of metal and is in its Trypticon below.
A disk at the edge of perfection if you have the stomach and the ability to deal with from start to finish (and not cheap), enhanced by a well-kept and the beautiful artwork package granted by the great Giger.
More than a hard experience ... that will hurt you. Suffer!

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KONGH - Shadows Of The Shapeless

Trust No One - 2009
Death (+ usual black and sulfate)
1 to 10: Trascurabilissimo (5)
Article by: Martina d'Errico



spring will be that the atmosphere is not suited to this kind of music, will not propose anything that Kongh particularly revolutionary, the fact is that after the first ending song, I already wanted to quit and move on.

But, since I'm an editor as it should (or at least I like to believe it!) I went through, in order to give an informed opinion.
As you may have guessed from the name, title and cover, the Swedes play the usual death / black metal band trying to be as bad neighbors Norway. Forgive the sarcasm, but after listening to cd cd all more or less equal, sometimes I do not know what to say.
As usual, we are faced with good technical skills and equipment, but what is lacking in this record, as well as many others of the same gender or not, is a soul, something that distinguishes it, that makes me want to just listen to that instead of another and that allows for a good time to make a hard to remember for more than two days after release.
Again, I'm sure the scholars of the genre will enjoy not just on these five pieces, and I feel almost to recommend listening to, all others, pass on ahead without delay.

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ARTIST VS POET - Favorite Fix

Fearless - 2010
Petting-Pop-Punk
1 to 10: political Lemon (6)
article: Enrico De Domeneghi

I mean, if I were a pre-teen and felt an overwhelming need also the principle of fringe mustache just popped in the nose, this would probably be my record. Straight from Texas more sentimentalist, the Artist VS Poet indeed offer us a fair example of a new generation of pop-punk, never so far from standard general targati 90. Why 'Favorite Fix' not smell nor Ramones, or Weezer, revealing rather as a series of songs that still produced super clammy and unable to contract I fear, to play very badly.

'Favorite Fix' gives a nod to the electronic arrangements as the most sugary choruses, and some songs to tell the truth is well constructed. The point is that excellence is not at all for personality, constantly referring to this or that group, according to dele solutions shots here and there. 'Car Crash' opens the dances and we note that the New Found Glory of disciples have created a convert numerous, among which are also ours. Sounds in line back even half the disk, 'Unconscious Reality' and 'Damn Rough Night '. Other references may be Enter Shikari and The Postal Service regarding the use of certain electronic dives ('Adorable' and Damn Rough Night ') and My Chemical Romance in' We're On The Same '. In eighth place, a must, then we ballatona of practice and from here on the disc that does not repeat itself. Pleasant the outro 'Giving Yourself Away', a brilliant piece and able to give the final kick just enough to work. Certainly unnecessary, sure, but I do not feel bad to say. It remains the only regret he had seen the nth new players in the new-punk-pop aground on the shores solid repetitive. Want to put Millencolin time.

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Swimming Cities of Venice, Swoon's floating art project http://www.theworldsbestever.com/2009/02/03/swoons-swimming-cities-of-serenissima/

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... and the right door in the middle of a single painting

Women loving and grateful,
the 'I'm looking for my heart than with his
flatter took my love:
those of you who have it, me 'to make the pity.
Who has not, but he has seen me teach, and why
'l know,
vo' give you the marks:
I seek your heart is full of arrows, full of mortal wounds

and flame and surrounded with ice, and since
door in the middle of a single painting.

From: Rime of Louis Groto , Venice, Zoppini, 1601

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HALLOWS EVE - The Neverending Sleep

Metal Blade - 2008
Thrash Metal (old - school)
1 to 10: Great (8)
article: David Wells

"The Neverending Sleep" marks the comeback of the Americans Hallows Eve, thrasher authors of a classic old-school thrash metal for the note, played and performed with great wisdom, especially enjoyable in the evenings with a high rate of alcohol; that what I'm concerned, results in one evening and the next as well.

Active since 1983, the band's career in Atlanta was packed only five full-length (including this work) and collected several more appearances on various compilations. You can not really define one of the most prolific band of the story, but listening to this new job I get to add quite a pity it is not the opposite, given the skills highlighted song after song translated into great technical skills and excellent quality of composition, not to mention then the general attitude truly remarkable. Songs like the title track, "Dance Of The Dead", "72 Virgins", "Doors Of Misery", "The Sun Must Die" are examples of what was said a moment ago and give you literally watering in your mouth when you consider the performance on stage. The ease with which the Hallows Eve churn out songs tailor-made for a frenzied headbanging makes them almost irresistible from the first listen, the sound is fucking heavy (meaning heavy) and 80 bloody years, the series got up a nice finger the average time that passes and the fag-metal mode that clog the market.

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REJECTED YOUTH – Angry Kids (2010 reissue)

Concrete Jungle - 2010
Punk
1 to 10: redundant (5)
article: Michele Marinel

's been 5 years since this band released German Her second album, "Angry Kids". As has been acclaimed by the German press at the time, let us ask a very simple thing: it was really necessary in this reissue?
Alas, the answer is 'no' quite succinctly. The quartet

Teutonic advocates a punk rock child of the 90s, which would look at the Clash but whose gaze stops at Rancid. And they are many similarities with the Californian band that make this disc cloying. As such, the songs are well Carucci, enjoyable, but the sense of deja vu comes to mind of the listener so many times as to be really annoying, especially since this reissue, in addition to 16 traces of the original version, also contains six bonus tracks, plus a range of multimedia content.
To be fair the disk is not too bad, there are some really nice pieces, rough pieces, some more partygoers, some busy times like the beautiful "Anti-Fascist." Let's say that if the band had been able to express a more distinct personality probably would have been much better this record.

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TICKING BOMBS – Crash Curse In Brutality

Concrete Jungle - 2009
Hardcorepunk vecchiamaniera
1 to 10: Woohoohoooo (7)
article: Michele Marinel

Band formed in 2000 by a group of four friends of Fagersta, Sweden. To combat the boredom of everyday life of their small town, our four think to set up a group, even if they can not practically hold a tool. Nine years after coming to our fourth album (the first non-self), a goal achieved with strokes of passion, dedication and perseverance, because let's face it, the technical capabilities have improved from their early days, but not that much.

But that's okay. We will not be not the ones to complain about the sound of rough, dry riffs, solos of rhythmic linear or elementary of this disc. This is hardcore punk old-fashioned, not of prog-post-something-core. The songs are very simple, canonical structures, in short, nothing new, but you make love with that approach "fuck off" so dear to the Exploited, Rancid some melody that recalls the most amphetamine-like choruses and sing-a-long show that to mind both the Oi! As the first hardcore punk Agnostic Front and the like.
The texts are aligned to the tradition of the genre: street stories of everyday life, of unity and brotherhood, hymns and stories of violence against the police.
nothing new as it was before, but nonetheless a pleasant drive, engaging, a job that makes you understand how much power can reveal this band live. For all fans of the genre, which has a hard always try and only punk punk, this can certainly be an interesting job.