Mystic Production - 2009
Goth-pop-death metal
1 to 10: Brave but subject to (7)
article: Michele Marinel
Published in 2009, it Italic on beaches this year alone the Polish fifth studio album of the combo that shows in great shape and he can impress thanks to a unique blend of genres that, on paper, should have to do battle with each other.
Being Polish, it was not even a typical feature of popular culture, our sound a violent death metal from good technical rate, which builds on the word of the fathers Morbid Angel, with those piercing riffs and very heavy, onto which the melody here and also from Middle Eastern flavor that bring our loved ones in the territories to the Nile and Behemoth countrymen. A sonic assault of respect that is broken by arrangements Gothic style, with melodic moments tastieroni and inserts clean vocals.
And here lies the problem. If the parties are properly death intense, elaborate and scratching while the more gothic side is intelligent and never taken for granted, sometimes sophisticated, the clean vocals leave much to be desired. Too bad because in queue two album covers ("Sinner In Me" by Depeche Mode and "Frozen" by Madonna) show where they come from the legacies of the softer band. Marriage blasphemous considering the roots of metal combo? Perhaps, but the result of the admixture and courage are not at all to burn, indeed.
"Anshur-Za" is an album that flows away in a nice, heavy, yet accessible, with variations that surprise and with an amalgam that works. Improved clean vocals this album would be great.
Goth-pop-death metal
1 to 10: Brave but subject to (7)
article: Michele Marinel
Being Polish, it was not even a typical feature of popular culture, our sound a violent death metal from good technical rate, which builds on the word of the fathers Morbid Angel, with those piercing riffs and very heavy, onto which the melody here and also from Middle Eastern flavor that bring our loved ones in the territories to the Nile and Behemoth countrymen. A sonic assault of respect that is broken by arrangements Gothic style, with melodic moments tastieroni and inserts clean vocals.
And here lies the problem. If the parties are properly death intense, elaborate and scratching while the more gothic side is intelligent and never taken for granted, sometimes sophisticated, the clean vocals leave much to be desired. Too bad because in queue two album covers ("Sinner In Me" by Depeche Mode and "Frozen" by Madonna) show where they come from the legacies of the softer band. Marriage blasphemous considering the roots of metal combo? Perhaps, but the result of the admixture and courage are not at all to burn, indeed.
"Anshur-Za" is an album that flows away in a nice, heavy, yet accessible, with variations that surprise and with an amalgam that works. Improved clean vocals this album would be great.
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